More 120bpm beats and stuff i made from scratch in live using midi instruments and the non sample based softsynth phoscyon to build up sounds from waves, then run them through compressors, distorters, destroyers, eqs, and textures.
Recorded some messages from my phone into audacity and added effects such as phaser and delay. Improvised over top of the messages with distorted tr606 beats.
Original description:. Nothing special really, just modified an existing sound a little bit to make it echoy and 'wet', with some panning. This was my first attempt at sound engineering a sample.
Just a looping beat patter made in fl studio 11 while playing with elektrostudio model mini. Pattern includes intro and outro + it has a multiple variations within, suitable for cutting, and editing into a beat. *it is not a full beat, rather several ideas played freely. Good source for a begginer who is learning about making a beats.
Here is a nice loop for every electric or goa or trance song. Let me know if you used it or let a comment below if you like it. You can also ask me for producing for you if you let me know what you want. I´ll try my best! thank you and i hope you like it!.
This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Blip random: c2 note, random short blip sounds from synplant. Sampled into ableton as atonal as possible with a bit of effects, compression using psp compressor2 and psp warmer. Random seeds in synplant, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud :d.
Alien alarm: 110 bpm c2 note, strange sounding alarm. Absynth 5 sampled into ableton, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. Crazy sounds. Check out my songs on soundcloud :d.
Blip trails: c2 note, random blip sounds with fast attacks and short trails using massive. Sampled into ableton with just a touch of reverb to help the trail smooth out, compression using psp compressor2 and psp warmer. Random parameters in massive, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud/spankmyfilth :d.
Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
Wrote/recorded a free dance tune at 120bpm using ableton live 9. The notes revolve around: c, g, d, e, dableton stock drum rack w/ stock samples for the percussion section. Mod amp sine bleep for the side toms. Ableton stock grand piano for piano. Muggy stock plugin for the synth-like parts w/ pitch bends in the midi. Synth1 vst64 for the long sustaining notes during the rhythm synth parts. Other notes about this recording:-14. 0 lufs integrated. -1. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.
Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.